Are You Ok? Cause I'm Ok.
Most Viewed 2024
•
Documentary, Short Films, 14-Feb-2021
A mother and daughter trip on Mushrooms together on the Jersey Shore. A unique concoction of documentary, filmed recreations and improvisation, “Are You Ok? Cause I’m Ok.,” directed by Rivka Rivera, finds a passionate mother/daughter coping with love and death. As they prepare for the drug experience, they set out their expectations and fears. The mother worries that her daughter will try to get an emotional reaction out of her for the sake of her film. The daughter is offended she would think that. As the shrooms kick in, their sober bickering is replaced with expansive reckoning with self, sometimes joyous, sometimes emotional (“I’m dehydrated from my whole life; I feel like I can’t drink any water”). Rivera’s film is not so concerned with reaching a clear-headed analysis of the trip as much as getting swept up in the immersive experience, and her film is delivered with buoyant, free flowing editing, and lively scoring / sound design. -KA. Director: Rivka Rivera. Cast: Amy Berkman, Rivka Rivera. Director of Photography: Meredith Adelaide. Editor(s): Michael Bernieri, Sandro Madsen. Producers: Rivka Rivera, Caitlin Kimball, Ashley Twomey, Amy Berkman.
Up Next in Most Viewed 2024
-
Steakhouse
When a conspiracy theorist’s internet goes out, he calls the cable company to fix the problem. Ft Langley directs “Steakhouse,” a bizarre sci-fi-inspired comedy where one man’s delusions lead to some questionable reactions toward his sudden visitor. Our main character wakes up at his desk; it see...
-
Ribbon
A young woman gets her back pierced and contemplates an upcoming decision. Irmak Akgür directs “Ribbon,” a slice-of-life portrait that captures a youthful relationship on a quiet but significant day. After her tattooed boyfriend gives her back piercings, he threads a pink ribbon, corset-style, th...
-
Sandbagger
While dealing with sexism and mistreatment at work, Lee finds solace in her relationship with her best friend, Evelyn. One of the more off-the-wall selections we’ve featured of late, this short feature (42 minutes) by Mitch F. Anderson is perhaps most notable for a striking absence — an on-screen...
