Madame Upstairs
NoBudge-O-Ween
•
Horror, Short Films, Drama, 08-Jul-2022
A young woman travels to a remote Victorian home to be a caregiver for someone who may or may not be there. “Madame Upstairs,” directed by Evan Korycki, is an ominous drama filled with striking visuals and eerie atmosphere. When Georgia arrives to take care of Madame Bouchard, she’s unsettled to discover that the woman never leaves her room, and in fact can’t even be heard through the walls. Georgia begins to wonder if she’s even there at all but there are signs of her presence — the soup outside her door gets eaten, and the ceiling leaks water from her bathtub. As Georgia’s uneasiness builds, reality begins to blend with visions and nightmares. The film’s psychological horror simmers and accumulates while Georgia tries to make sense of the world she’s entered into. It resonates increasingly as a metaphor, particularly complex in its final moments. -KA. Director: Evan Korycki. Cast: Charlie Agnew. Director of Photography: Luke Sacksteder. Producer: Laura Feetterers. Gaffer: John Peters. Composer: Justin Berger-Davis.
Up Next in NoBudge-O-Ween
-
All Shook Up
After being mugged on Halloween night, Dave takes to his hotel room to report the incident to his credit card company and experiences an unsettling exchange. Starring Maxwell McCabe-Lokos (a director we featured with his 2017 film "Ape Sodom,") “All Shook Up,” is a wildly WTF short directed by Ev...
-
Disforia
Jack returns home to find his family has sold their house without his knowledge, perhaps because he’s no longer the Jane they all know. Lio Mehiel directs and stars in “Disforia” (Heidi Hartwig co-directs), a psychological horror about coming out as trans, a haunting vision of alienation and dist...
-
How I Lost My Appetite
A young couple works through an uncomfortable situation and a hidden truth. Robert B. Matuluko directs “How I Lost My Appetite,” a film that resists easy categorization but flirts with several forms: relationship drama, experimental film (there is no dialogue, only body language and eye contact) ...
